Paul Cocksedge is a critically acclaimed product designer specialising in lighting technology that blurs the boundaries between art and design. A student under Ron Arad at the Royal College of Art, he founded Paul Cocksedge Studio upon graduation in 2004.

He is in conversation with ELLE Decoration editor, Michelle Ogundehin, at the design lecture ʻPoetry in Lightʼ on Friday 16 March at 3pm.

How do you describe what you do?
I’m constantly looking for newness and ways to communicate it. I work a lot with light, but it is not a specialism per se, just another material chosen because it’s right for a concept. Design is a very sporadic entity for me – a bit like my mind, really.

What design projects are you currently working on?
We’re designing furniture pieces, which we’ve been working on for over two years, also jewellery, and there are a number of interior design projects. Perhaps the most imminently exciting news is the Paul Cocksedge online shop launching this spring. It’s a way of putting something accessible out there, without compromising the poetry, of course.

How do you draw inspiration for a project?
There are a lot of things I collect as stimuli: books, pictures, objects and I take on average 1.5 GB worth of photos a month. From that the good things bubble up.

Which comes first in a design, technology or art?
It varies. Sometimes the material tells you what to do, other times I imagine something and search for that material. Although materials are important, they’re not a reason to do something. It’s always about the worth of an idea – new material without an idea quickly dates. There are exceptions, but I like ideas.

What is your end goal when designing? 
A lot of work starts with me being naively amazed with something, in quite a scientific way – there’s a eureka moment when I marvel at a discovery. Then the design comes as a way of packaging that discovery to communicate it to others.

What do you do to relax?
Talking and socialising like anyone. I do like some alone time, but not an awful lot. I love travelling, moving around and interaction with new people. Even in restaurants I find myself engaging with people I don’t know, much to the irritation of my companions.

Conversation in Design Ticket Information:
Booking Hotline 020 7352 1900 www.dcch.co.uk Design Lecture: £15

www.paulcocksedge.co.uk

Countless hours spent sourcing fabrics that combine desirability with durability is set to be a thing of the past. With high quality commercial spec fabrics from the likes of De Ploeg, Knoll Textiles, Woven Image and Kendix, StudioTex offers a veritable library of inspirational fabrics, which pass the fearful rub test with flying colours.

Studiotex, Fourth Floor, Design Centre East

Why I love…Earn Your Stripes

“It’s the variety of creative colour combinations that can be incorporated into stripes that makes them so attractive. Stripes give structure to an interior space and therefore provide a foundation from which to build on.”

Felicity Mould, Creative Marketing Director, Romo

From top to bottom, left to right:

 ‘Regency Reeded’ overmantle mirror at English Georgian
‘Elisa’ chair in Giasone fabric (SV 342) at Fendi Casa
‘Moulded Plywood’ chair by Charles & Ray Eames for Herman Miller, covered with ‘Geranium Groove Polish’ (GRP03) at Edelman Leather
‘Amelie’ lamp (CLB26) in Elephant Grey with 16” ‘Amelie’ fez shade in blue grass silk linen at Porta Romana
‘Bianca Souris’ (W6001 001) at Pierre Frey

‘Artist Palette’ fabric in red/blue/multi (KO 0001 1097) by Grey Watkins at Stark Fabrics

Wide stripes:‘Parker’ fabric (10467) at Zimmer + Rohde
Thin stripes:‘Pavilion’ fabric (10468) at Zimmer + Rohde
The base/mattress: ‘Caribbean Check’ fabric (10450 991) at Zimmer + Rohde

‘‘Obi’ Tallboy’ (5544869) at Poltrona Frau
Stools upholstered in ‘Tresors’ (SE 132/80) and (SE 132/15) by Elitis at Abbott & Boyd

‘Sotheby’ fabric in Magenta (7492/03) at Romo

From left to right:

‘Leonia’ 30020-003 at Rubelli/Donghia
‘Armilla’ 30021-005 at Rubelli/Donghia
‘Zirma’ 30024-006 at Rubelli/Donghia
‘Argia’ 30018-003 at Rubelli/Donghia

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